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SPLiCE Studios' facility in downtown
Singapore is equipped with a ProTools HD | 3 system
with stereo mains monitoring & surround
sound 5.1, with sampling rates up to 192kHz, all checked
with our Dolby LM100 broadcast loudness meter. Our
award-winning editorial team, led by supervising sound
editor Kenn
Delbridge, a member of the prestigious
MPSE, brings creativity and unparalleled workflow efficiency
on every project. |
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 SOUND
DESiGN, AUDiO EDiTiNG, MiXiNG
For
our audio post for video client list
includes major broadcasters like BBC Worldwide,
AETN, NBC Universal, Discovery Channel, National
Geographic, Disney Channel, MTV
Asia and others. With over 30,000
sound effects on our audio network, every
project gets the full treatment for sound design,
editing and mixing, and we mix every format from
mono through to surround sound 5.1.
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 DELiVERY
FORMATS
Once
our mixes are ready for mastering, we can handle any
delivery request: we layback to HDCAM,
Digital Betacam, DAT, MiniDisc, DA-88, CD and
we encode in every audio format - .wav,
AIFF, mp3 and more. We also
deliver mixes electronically via browser-based FTP
technology and now offer Dolby
E Encoding and Decoding, increasing
the standard for delivering 5.1 surround mixes
for broadcast masters.
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 NOiSE
REDUCTiON
Capturing the perfect performance on film or video
is tough enough, but every location has some
element of extraneous noise that can make location
tracks unusable. SPLiCE uses the legendary CEDAR
DNS-1000 to clean up production tracks. Winner of
a Technical Oscar, you owe it yourself to hear the
DNS-1000 at work!
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