SPLiCE Studios' facility in downtown Singapore is equipped with a ProTools HD | 3 system with stereo mains monitoring & surround sound 5.1, with sampling rates up to 192kHz, all checked with our Dolby LM100 broadcast loudness meter. O
ur award-winning editorial team, led by supervising sound editor Kenn Delbridge, a member of the prestigious MPSE, brings creativity and unparalleled workflow efficiency on every project.

SOUND DESiGN, AUDiO EDiTiNG, MiXiNG
For our audio post for video client list includes major broadcasters like BBC Worldwide, AETN, NBC Universal, Discovery Channel, National Geographic, Disney Channel, MTV Asia and others. With over 30,000 sound effects on our audio network, every project gets the full treatment for sound design, editing and mixing, and we mix every format from mono through to surround sound 5.1.

DELiVERY FORMATS
Once our mixes are ready for mastering, we can handle any delivery request: we layback to HDCAM, Digital Betacam, DAT, MiniDisc, DA-88, CD and we encode in every audio format - .wav, AIFF, mp3 and more. We also deliver mixes electronically via browser-based FTP technology and now offer Dolby E Encoding and Decoding, increasing the standard for delivering 5.1 surround mixes for broadcast masters.

NOiSE REDUCTiON
Capturing the perfect performance on film or video is tough enough, but every location has some element of extraneous noise that can make location tracks unusable. SPLiCE uses the legendary CEDAR DNS-1000 to clean up production tracks. Winner of a Technical Oscar, you owe it yourself to hear the DNS-1000 at work! > more


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